The Writing and Dissertation Colloquium is a biweekly forum for graduate students in Comparative Literature to share works in progress with other graduate students. The seminar welcomes drafts of your prospectus, article, dissertation chapter, conference paper, exam statement and grant or fellowship proposal. Work is pre-circulated. The 90 minute sessions, done in conjunction with a rotating COM faculty member, are designed to offer written and oral feedback.
- This course aims to explore different forms that the question of liberation has taken in writings by women philosophers and poets whose work helped to create cultural and political movements in the U.S. and Latin America. Starting in the 1960s, the course touches upon different philosophical concepts and poetic figures that have shaped the language of women's struggles (intersectionality, black and third world feminism, subalternity and feminist epistemologies, capitalist accumulation and "witch"-hunting, (re)transmission of knowledge).
- This advanced reading course surveys the development of modern Arabic prose fiction from the 19th century nahda (Arabic renaissance) to the present. Special attention is devoted to questions of language and style, alongside discussions of major thematic concerns and the interaction of literature and society. All reading assignments are in the original Arabic, though English translations are available as a study aid. Open to qualified undergraduates with instructor's permission.
- This year's topic is "Reading Characters: Clarissa in Context." The seminar will consider the development of the modern novel during the European Enlightenment as a narrative epistemology of character, through an intensive reading of Richardson's Clarissa.
- Through a comparative focus on the concepts of dialectics and difference, we read some of the formative theoretical, critical and philosophical works which continue to ground interdisciplinary critical theory today. Focal works by Lukacs, Freud, Heidegger, Adorno, Derrida, de Man, Arendt, and Benjamin are included among the texts we read.
- Fredric Jameson is perhaps the most important theorist of our age with a global readership across all disciplines in the humanities for decades on end. In this graduate course, we discuss his entire body of work, appreciating the range and depth of his thought. Jameson has agreed to teleconference into our seminar at least once, and I welcome interested students to do some advanced reading to acquaint themselves with his ideas.
- This course explores representations of the World and History in major bandes dessinées (or graphic novels) published in French from the 1930s to the present, and produced by authors of various backgrounds (French, Belgian, Italian, Jewish, Iranian). Informed by theoretical readings, discussions will address key aesthetical, political, and ethical issues, including Exoticism, Orientalism, (Post)colonialism, national and individual identity, as well as the theory of reception, to critically assess the fluctuations of these visions between fantasy and testimony.
- Intensive reading of texts of revolution as event, process, rupture, repetition, and metaphor. Worldwide examples considered in terms of a chain of displacements within and across historical time (C17th to contemporaneity; England, USA, France, Haiti, Russia, Mexico, China, Algeria, and beyond). Why and how is revolution different from other radical transformations such as national liberation? What are the openings and where are the dangers in the revolutionary situation, and how have both proponents and opponents of revolution represented them?
- Over the course of his lengthy career, Giuseppe Verdi composed three operas based on plays by William Shakespeare. His operatic treatment of Macbeth (1847) was composed when Verdi was only 33-years old; he would wait another forty years before returning to Shakespeare for his two final (and arguably greatest) operas: Otello (1887) and Falstaff (1891). This seminar focuses on a close reading and analysis of these three operas; literary sources, ottocento operatic conventions, performance traditions, representations of race and gender, genre, etc.
- Analysis of works of one of Russia's most important contemporary writers. Focus on major novels, including "Pushkin House," the 1st Russian postmodernist novel. We explore his wide-ranging concerns, such as psychology; philosophy; science; other arts (including jazz & cinema); people's relationship to other biological species; integrity & societal and psychological obstacles to it. We examine him as a Petersburg writer. Focus also on his relationship to time, history, & other writers; his place in Russian & Soviet literature & culture.