For historical reasons most books that come into English are translated from just a few languages, creating a misleading impression of the spread of literature itself. This course provides an opportunity to discover literary works from languages with small reading populations which rarely attract academic attention in the USA.
This course examines the gendered experiences of childhood & adolescence under the Nazis in World War II as witnessed, remembered, and represented in texts and images through a variety of genres and different nationalities. We include historical studies, diaries, testimonies, memoirs, fiction (semi-autobiographical or otherwise), photos, and film (documentary & feature) of 1st and 2d generations. While we focus on the fate of Jewish youth, who were deliberate targets of genocidal policy, not just unintended victims, we will also attend to others in the occupied countries.
This course will offer a comparative approach to the cultural production of contemporary Greece, investigating the "Greek crisis" through literature and film of the past decade, as well as writings drawn from history, anthropology, political science, and economics, contemporary news sources, political and cultural blogs, and even the fast-changing landscape of Athenian graffiti.
This course focuses on representations of gender and sexuality in East Asia, including theatrical traditions and their cinematic adaptations, documentary films, short fiction, graphic novels, animation, and music videos. It will introduce students to fundamental texts in sexuality and gender studies, to the contours of East Asian culture, and to the challenges of orientalist perspectives. Sexuality and performance will be examined within the context of cultural, political, and economic exchange.
Open to graduate and undergraduate students interested in understanding the origins of the modern novel, this seminar examines the profound historical, theoretical and formal connections between the development of pornography as a distinct category of representation and the development of the novel as a literary genre during the Enlightenment. We will also explore the continuing resonances of those connections today. Readings in current criticism, history and theory of the novel and pornography will accompany primary readings.
Kant's response to the question, "What is Enlightenment?", posed in the Berlin Monthly in 1783, continued to arouse debate, as Foucault's late return to Kant made plain. We will examine many of the formative texts of modern political and moral philosophy written during an era when the very concept of "the human" was interrogated as never before.
Advanced practice in the translation of literary works from another language into English supplemented by the reading and analysis of standard works. Criticism by professionals and talented peers encourages the student's growth as both creator and reader of literature. Students MUST be fluent in their chosen language.
This course examines postwar Japanese experience through major literary, cinematic, and intellectual achievements. The objective is first to analyze a multitude of struggles in the aftermath of the Asia-Pacific War, and then to inquire into the nature of post-industrial prosperity in capitalist consumerism and the emergence of postmodernism. The course will cover representative postwar figures such as, Oe Kenzaburo, Dazai Osamu, Mishima Yukio, as well as contemporary writers such as Murakami Haruki.
Counter to received wisdom, it is in the Romantic period, not the 20th century, that war assumes its modern form as "total war." We will examine how literary, philosophical, and artistic Romanticisms grapple with this new phenomenon. Subtopics include: war, media, technology; landscape, spectatorship, and the sublime; cosmopolitanism, nationalism, and the concept of Europe.
Since its advent in the 19th century, photography has been a privileged figure in literature's efforts to reflect upon its own modes of representation. This seminar will trace the history of the rapport between literature and photography by looking closely at a number of literary and theoretical texts that differently address questions central to both literature and photography: questions about the nature of representation, reproduction, memory and forgetting, history, images, perception, and knowledge.