What is translation? What is a language? So essential and widespread is translation today that it has become a central analytic term for the contact of cultures, and a paradigm for studying many different aspects of our multilingual world. This course will consider translation as it appeared in the past, but especially as it constructs everyday life in the contemporary world. It will look at issues of anthropology, artificial intelligence, diplomacy, film, law and literature that involve interlingual and intercultural communication.
A required course for students taking the certificate in Translation and Intercultural Communication but open to all who are interested in translation or any of its aspects, that is in movements between languages of any sort. Readings will focus on recent contributions to the emerging disciplines of translation studies across a wide spectrum of thematic fields (science, law, anthropology, literature, etc.). The seminar will incorporate the individual experiences of the students in their contact with different disciplines and idioms and, where relevant, in developing their senior theses.
This course is a survey of classical and modern drama from Africa, China, India, Japan, and Latin America. Topics will include Noh and Kabuki, Beijing Opera, Sanskrit theater, Nigerian masquerades and a variety of selections from the rich modern Indian and Latin American canons. There may be trips to NYC or locally to see new theater works.
What possible relevance could Homer's Iliad have today? Yet for nearly three millennia the epic has inspired countless rewritings, from ancient and early modern drama, to modern translations and continuations, to Hollywood blockbusters and contemporary avant-garde theater. This course traces the influence of the epic across languages, media, and time.
This seminar examines the dynamic interrelationship between objects and texts in premodern Japan, from the seventh through the seventeenth centuries. The series of meetings will introduce topics in a sequence that exemplifies the gradual layering of meaning and complication that comes from a culture with a strong classical awareness.
Practice in the translation of literary works from another language into English supplemented by the reading and analysis of standard works. Criticism by professionals and talented peers encourages the student's growth as both creator and reader of literature. Students must be fluent in their chosen language.
This course examines "dangerous bodies" - bodies that transgress existing gender and racial norms in Chinese and Sinophone cultures. Situated at the intersection of literary, film, performance, gender and ethnic studies, this course provides an introduction to the shifting social meanings of the body in relation to historical masculinity, femininity, and Chineseness.
We will examine the ways in which Giorgio Vasari's <i>Lives of the Artists<\i> have morphed into modern and postmodern literature, focusing on the novelistic and lyric subversions of the original model. Adjustments to the standard narrative include biographies of wretched artists, artsy dealers, and aesthetically inclined criminals; texts set within the imagined world of a painting; tales privileging the instrument or materials over the artist; and dramatically rewritten or unwritten lives of the usual suspects.
This course examines the crisis of European subjectivity in the wake of WWII and the Holocaust. Such a crisis implicates not merely the concepts of Europe and the subject, but the very concept of the concept and thus entails a transformation of thought itself. Topics include crises of the subject and the human; the question of technology; the Franco-German relation; the Cold War; decolonization; exile and emigration; essay, aphorism, and lecture as anti-systematic modes.
This course begins roughly around the fourteenth century and covers the arts, history, music, literature, popular culture, film and media in transnational China, Japan, and Korea up to the contemporary period. Special focus will be given to the question of modernity in East Asia. Lectures are given by specialists in the departments of East Asian Studies, Comparative Literature, Music, and Art and Archaeology. This is the second half of a two-semester sequence introducing the humanities in East Asia.