Erin Yu-Tien Huang

  • Ocean Media: Islanding, Space, Modernity

    This seminar explores the oceanic imaginary of space and the spatial technologies of islanding in the modern world-including the emergence of mega-ports, artificial islands, and the creation of political and economic zones of exception and military bases, with an emphasis on East and Southeast Asia. Posing islanding in the verb form, the readings deconstruct "island" as a natural geographic setting and probe its role in mediating the relations between individual and totality, insularity and world, mainland and periphery, land and sea, etc.
  • Chinese Cinemas

    This course is an introduction to contemporary Chinese cinemas in China, Hong Kong, and Taiwan. From postwar musicals and pan-Asian blockbusters, to new wave avant-garde films and experimental documentaries, the diversity of Chinese cinemas reflects cinema's relations to global capitalism, Asia's democratization movements, financial crises, and the arrival of (post)socialism. Creating urban nomads, songstresses, daydreamers, travelers, and terrorists, Chinese cinemas put on full display the forces of globalization in shaping the aesthetics and politics of film.
  • Ocean Media: Islanding, Space, Modernity

    This seminar explores the oceanic imaginary of space and the spatial technologies of islanding in the modern world-including the emergence of mega-ports, artificial islands, and the creation of political and economic zones of exception and military bases, with an emphasis on East and Southeast Asia. Posing islanding in the verb form, the readings deconstruct "island" as a natural geographic setting and probe its role in mediating the relations between individual and totality, insularity and world, mainland and periphery, land and sea, etc.
  • Chinese Cinemas

    This course is an introduction to contemporary Chinese cinemas in China, Hong Kong, and Taiwan. From postwar musicals and pan-Asian blockbusters, to new wave avant-garde films and experimental documentaries, the diversity of Chinese cinemas reflects cinema's relations to global capitalism, Asia's democratization movements, financial crises, and the arrival of (post)socialism. Creating urban nomads, songstresses, daydreamers, travelers, and terrorists, Chinese cinemas put on full display the forces of globalization in shaping the aesthetics and politics of film.
  • Dangerous Bodies: Cross-Dressing, Asia, Transgression

    This course examines "dangerous bodies" - bodies that transgress existing gender and racial norms in Chinese and Sinophone cultures. Situated at the intersection of literary, film, performance, gender and ethnic studies, this course provides an introduction to the shifting social meanings of the body in relation to historical masculinity, femininity, and Chineseness.
  • Cosmopolitan Her: Writing in Late Capitalism

    This course introduces students to twenty-first-century Asian women writers (Japan, Korea, China) whose works achieved global popularity through translation in the past two decades. Written by writers living in East Asian countries dealing with capitalist developments, financial crises, and neoliberal free trade agreements, the texts collectively suggest the global interest and transmission of women's rights and LGBTQ movements in Asia and beyond.
  • Dangerous Bodies: Cross-Dressing, Asia, Transgression

    This course examines "dangerous bodies" - bodies that transgress existing gender and racial norms in Chinese and Sinophone cultures. Situated at the intersection of literary, film, performance, gender and ethnic studies, this course provides an introduction to the shifting social meanings of the body in relation to historical masculinity, femininity, and Chineseness.
  • Cosmopolitan Her: Writing in Late Capitalism

    This course introduces students to twenty-first-century Asian women writers (Japan, Korea, China) whose works achieved global popularity through translation in the past two decades. Written by writers living in East Asian countries dealing with capitalist developments, financial crises, and neoliberal free trade agreements, the texts collectively suggest the global interest and transmission of women's rights and LGBTQ movements in Asia and beyond.
  • Asian Feminist Epistemologies: Theory and Embodiment

    Fissuring, doubling, and vanishing: The metaphors of feminisms are evocative of the visual, acoustic, and corporeal intensities permeating feminist interventions in political movement, philosophy, historiography, and film and media theory. Rather than a linear history of feminism in Asia, this seminar probes the changing "subject" of feminism(s) that is shaped by the geopolitical imaginaries of Asia and the West in the twentieth century.
  • Chinese Cinemas

    This course is an introduction to contemporary Chinese cinemas in China, Hong Kong, and Taiwan. From postwar musicals and pan-Asian blockbusters, to new wave avant-garde films and experimental documentaries, the diversity of Chinese cinemas reflects cinema's relations to global capitalism, Asia's democratization movements, financial crises, and the arrival of (post)socialism. Creating urban nomads, songstresses, daydreamers, travelers, and terrorists, Chinese cinemas put on full display the forces of globalization in shaping the aesthetics and politics of film.

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