This course is an introduction to contemporary Latin American and Caribbean literature and visual arts. Placing special emphasis on the changing relationships between aesthetics and politics, it analyzes different genres and artistic styles that emerge with new forms of imagining the relations between culture and politics, from the 1960s to the present.
- The Writing and Dissertation Colloquium is a biweekly forum for graduate students in Comparative Literature to share works in progress with other graduate students. The seminar welcomes drafts of your prospectus, article, dissertation chapter, conference paper, exam statement and grant or fellowship proposal. Work is pre-circulated. The 90 minute sessions, done in conjunction with a rotating COM faculty member, are designed to offer written and oral feedback.
- This course aims to explore different forms that the question of liberation has taken in writings by women philosophers and poets whose work helped to create cultural and political movements in the U.S. and Latin America. Starting in the 1960s, the course touches upon different philosophical concepts and poetic figures that have shaped the language of women's struggles (intersectionality, black and third world feminism, subalternity and feminist epistemologies, capitalist accumulation and "witch"-hunting, (re)transmission of knowledge).
- This advanced reading course surveys the development of modern Arabic prose fiction from the 19th century nahda (Arabic renaissance) to the present. Special attention is devoted to questions of language and style, alongside discussions of major thematic concerns and the interaction of literature and society. All reading assignments are in the original Arabic, though English translations are available as a study aid. Open to qualified undergraduates with instructor's permission.
- This year's topic is "Reading Characters: Clarissa in Context." The seminar will consider the development of the modern novel during the European Enlightenment as a narrative epistemology of character, through an intensive reading of Richardson's Clarissa.
- Through a comparative focus on the concepts of dialectics and difference, we read some of the formative theoretical, critical and philosophical works which continue to ground interdisciplinary critical theory today. Focal works by Lukacs, Freud, Heidegger, Adorno, Derrida, de Man, Arendt, and Benjamin are included among the texts we read.
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- A reading of some of the greatest works of literature in the Western tradition from Homer to the late Middle Ages. The course is also designed as an introduction to Comparative Literature -- that is, a reading of literary works across the boundaries of time, geography, and language. All works taught in English.
- What kind of social institution is literature? Through close study of literary and theoretical texts, we examine ways literature is understood as reflecting, conditioning, representing, subverting, performing, or constructing the ethics and values of societies and cultures. We focus on the death penalty and representations of violence and coexistence. Does literature depict the experiences of real people? How (and why) do we "identify"? How do these ethical aspects of literature relate to moments of social crisis or the maintenance of social stability? To social and cultural differences?
- Wagner's 15-hour opera cycle Der Ring des Nibelungen is a unique masterpiece that transformed opera as a genre. With enormous emotional and intellectual power, it provides insight into key social and political issues that were particularly troubling in 19th-century Europe. It is also the magnum opus of a controversial composer whose overt anti-Semitism resonates well into the present.