French

  • Seminar in 19th- and 20th-Century French Literature: Writing the People in 19thC France

    What is the people? Much of nineteenth-century literature is an effort to confront this urgent political question after the Revolution, and to give shape and voice to this amorphous new sovereign. At once ubiquitous and intangible, the people is an unsettling power that modern writing seeks to name, express, silence, or shape. This course examines some landmark novels (by Hugo, les Goncourt, Sand, and Zola) and social analysis (by reformers, hygienists, and intellectuals) at the crossroads between politics and aesthetics. Critical texts by Marx, Chevalier, Rancière, Foucault, T.J.
  • The Contemporary

    What does it mean to be contemporary? How does one truly inhabit the present? Through theoretical texts and examples in literature and film, this course explores the ways in which thinkers, writers, and filmmakers have crafted themselves as agents of actualité.
  • Seminar in 19th- and 20th-Century French Literature: Writing the People in 19thC France

    What is the people? Much of nineteenth-century literature is an effort to confront this urgent political question after the Revolution, and to give shape and voice to this amorphous new sovereign. At once ubiquitous and intangible, the people is an unsettling power that modern writing seeks to name, express, silence, or shape. This course examines some landmark novels (by Hugo, les Goncourt, Sand, and Zola) and social analysis (by reformers, hygienists, and intellectuals) at the crossroads between politics and aesthetics. Critical texts by Marx, Chevalier, Rancière, Foucault, T.J.
  • The Contemporary

    What does it mean to be contemporary? How does one truly inhabit the present? Through theoretical texts and examples in literature and film, this course explores the ways in which thinkers, writers, and filmmakers have crafted themselves as agents of actualité.
  • Le Monde par la bande

    This course explores representations of the World and History in major bandes dessinées (or graphic novels) published in French from the 1930s to the present, and produced by authors of various backgrounds (French, Belgian, Italian, Jewish, Iranian). Informed by theoretical readings, discussions will address key aesthetical, political, and ethical issues, including Exoticism, Orientalism, (Post)colonialism, national and individual identity, as well as the theory of reception, to critically assess the fluctuations of these visions between fantasy and testimony.
  • Le Monde par la bande

    This course explores representations of the World and History in major bandes dessinées (or graphic novels) published in French from the 1930s to the present, and produced by authors of various backgrounds (French, Belgian, Italian, Jewish, Iranian). Informed by theoretical readings, discussions will address key aesthetical, political, and ethical issues, including Exoticism, Orientalism, (Post)colonialism, national and individual identity, as well as the theory of reception, to critically assess the fluctuations of these visions between fantasy and testimony.
  • Tales of Hospitality: France, North Africa, and the Mediterranean

    Since the Revolution, France has declared itself a haven for refugees from all countries. Yet, a series of laws and often fierce debates have recently marred this benevolence with sometimes dramatic limitations. Keeping in mind different models of hospitality in the Western, Mediterranean, and Arab traditions, we will examine the 'case study' of France and North Africa by comparing ethical and political, individual and collective models of hospitality. We will address issues such as immigration, nationality, and cultural identity and reflect on what it means to welcome a stranger.
  • Le Monde par la bande

    This course explores representations of the World and History in major bandes dessinées (or graphic novels) published in French from the 1930s to the present, and produced by authors of various backgrounds (French, Belgian, Italian, Jewish, Iranian). Informed by theoretical readings, discussions will address key aesthetical, political, and ethical issues, including Exoticism, Orientalism, (Post)colonialism, national and individual identity, as well as the theory of reception, to critically assess the fluctuations of these visions between fantasy and testimony.
  • Tales of Hospitality: France, North Africa, and the Mediterranean

    Since the Revolution, France has declared itself a haven for refugees from all countries. Yet, a series of laws and often fierce debates have recently marred this benevolence with sometimes dramatic limitations. Keeping in mind different models of hospitality in the Western, Mediterranean, and Arab traditions, we will examine the 'case study' of France and North Africa by comparing ethical and political, individual and collective models of hospitality. We will address issues such as immigration, nationality, and cultural identity and reflect on what it means to welcome a stranger.
  • Le Monde par la bande

    This course explores representations of the World and History in major bandes dessinées (or graphic novels) published in French from the 1930s to the present, and produced by authors of various backgrounds (French, Belgian, Italian, Jewish, Iranian). Informed by theoretical readings, discussions will address key aesthetical, political, and ethical issues, including Exoticism, Orientalism, (Post)colonialism, national and individual identity, as well as the theory of reception, to critically assess the fluctuations of these visions between fantasy and testimony.

Pages

Subscribe to French